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SMORGASBORD: ART SERVED BUFFET STYLE, Take Courage Gallery, London, 2019
I Don’t Like Broccoli, but I’ll try Anything Once, Solo Show, Lungley Gallery, London, 2019
Jelly Flip 1, ABSINTHE 2, London, 2019
BAGGAGE, Take Courage Gallery, London, 2019
BADART PRESENTS : FANDOM,Bones & Pearl Studios, London, 2019
Pollyfilla/Ham. Does it Stick? A.P.T Gallery, London, 2018
SLIME/SCHLEIM, virtuellestheatre Collective, Transeuropa Fluid Performance Art Festival, Germany, 2017
DRAFT 2, Gebilde Collective, London, 2017
FUZE, Gebilde Collective, 2016, London
Völuspà : Location Analysis, Virtuellestheater, ACUD Gallery, Berlin, 2017
DRAFT, Peckham Culture Festival, London, 2016
Hot August Nights, From Across the Pond & Underneath the Algae, BLAM Projects Gallery, DG14 Collective, L.A. 2017
Residency ADVENTURE + Going Native, Omelchenko Gallery, Moscow, 2016
Concrete Queens: Space 1, Gallery H.L.U.M, Voronezh, Russia, 2016
Concrete Queens: Space 2, Voronezh Centre of Contemporary Art, Russia, 2016
Let the Dust Settle, Crypt Gallery, London, 2016
Aggregate, The Yard, London, 2015
Slippers 2, Maverick Projects, London, 2014
MASH, London, 2015
SUÐ , Dieter Roth Foundation Residency, Iceland, 2014
OVERFLOW– Iceland, 2014
Hvað ertu að gera , Poncho Ladies? , Listaháskóli Íslands, Iceland, 2014
Features+Articles :
‘But more than anything it feels like someone just saying ‘fuck it, let’s go’, and that’s pretty liberating.
This is brilliantly messy, gungy, sticky, sexy art. The world around us is a terrifying shambles of politics, war and terrorism, and maybe Prentis’s revolting, light-hearted, kinky art is the perfect antidote.’
The Guardian : Grayson Perry for G2, 8/8/16
‘Perry is interested in the practicalities of the work and Prentis’s battle against things like rules and regulations. “Maybe the artists of today aren’t rebelling against the previous generation of artists,” he says. “They’re rebelling against health and safety.”
Covid19 Friendly Studio Visit with Lungley Gallery:
Chelsea College of Art, 2013 – 2016 | Central St Martins, 2012 – 2013