Apocalypse Never, 2020
Pete Burns, 2019
Slime/Schleim, 2017
Cheeky Finger, 2020
Cosmopolitan Girl, 2019
Slime/Schleim, 2017
Giles From Putney, 2018
I Don’t Like Broccoli (but ill Try Anything Once)
It’s Time to Slime, 2016
Slime 2016
SMORGASBORD: ART SERVED BUFFET STYLE, Take Courage Gallery, London, 2019 | I Don’t Like Broccoli, but I’ll try Anything Once, Solo Show, Lungley Gallery, London, 2019 | Jelly Flip 1, ABSINTHE 2, London, 2019 | BAGGAGE, Take Courage Gallery, London, 2019| BADART PRESENTS : FANDOM,Bones & Pearl Studios, London, 2019| Pollyfilla/Ham. Does it Stick? A.P.T Gallery, London, 2018 | SLIME/SCHLEIM, virtuellestheatre Collective, Transeuropa Fluid Performance Art Festival, Germany, 2017 | DRAFT 2, Gebilde Collective, 2017, London | FUZE, Gebilde Collective, 2016, London | Völuspà : Location Analysis, Virtuellestheater, ACUD Gallery, Berlin, 2017 | DRAFT, Peckham Culture Festival, London, 2016 | Hot August Nights, From Across the Pond & Underneath the Algae, BLAM Projects Gallery, DG14 Collective, L.A. 2017| Residency Adventure + Going Native, Omelchenko Gallery, Moscow, 2016 | Concrete Queens: Space 1, Gallery H.L.U.M, Russia, 2016 | Concrete Queens: Space 2, Voronezh Centre of Contemporary Art, Russia, 2016 | Let the Dust Settle, Crypt Gallery, London, 2016 | Aggregate, The Yard, London, 2015 | Slippers 2, Maverick Projects, London, 2014 | MASH, London, 2015 | SUÐ , Dieter Roth Foundation Residency, Iceland, 2014 | OVERFLOW– Iceland, 2014 | Hvað ertu að gera , Poncho Ladies? , Iceland, 2014
Features+Articles :
‘But more than anything it feels like someone just saying ‘fuck it, let’s go’, and that’s pretty liberating.
This is brilliantly messy, gungy, sticky, sexy art. The world around us is a terrifying shambles of politics, war and terrorism, and maybe Prentis’s revolting, light-hearted, kinky art is the perfect antidote.’
The Guardian : Grayson Perry for G2, 8/8/16
‘Perry is interested in the practicalities of the work and Prentis’s battle against things like rules and regulations. “Maybe the artists of today aren’t rebelling against the previous generation of artists,” he says. “They’re rebelling against health and safety.”
Education:
Chelsea College of Art, 2013 – 2016 | Central St Martins, 2012 – 2013
